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Dead Northern 2024 Festival Review – Kill Your Lover

Directing duo Alix Austin and Keir Siewert deliver a gnarly, grotesque, and emotionally raw feat of tainted love, where body horror and a cerebral narrativisation collide together to create the must-see ‘Kill Your Lover’. 

Strained couple Axel (Shane Quigley Murphy) and Dakota (Paige Gilmour) have long lost the passion that oozed from their early days together; with Dakota now desperate to break free and put an end to her partner’s controlling hold. However, whilst on the cusp of delivering him the bad news, Axel falls ill with a monstrous infection, one that spews poison, splinters skin and turns its host into a corrosive mess – and worst of all…it’s contagious. 

From the initial setup right up until the credits begin to roll, the entire film is slick with an uncomfortable sense of intimacy. Intimate through its nature of chronicling a toxic relationship. Intimate through its portrayal of up close and personal graphic body horror, and intimate in how it feels as if we have been positioned to voyeuristically gaze like a fly on the wall as Dakota and Axel experience the terrifying motions of their damning monstrosity.

The private, immediate view the audience experiences feels disturbed, as if we are that of a prying eye. It is this precise dark, troubling anxiety that makes Kill Your Lover’s stirring approach so effective. As much as the film is a splattery gore fest, Austin and Siewert manage to penetrate the layers of fleshy horror and create a tone that is ripe with metaphors into destructive, venomous kinship and feeling inescapable dread at the hands of someone you once used to unconditionally love. 

The film’s continuous lashings of affective energy also transfers itself into the sophisticated aesthetic that manages to balance obscure bloodiness whilst not faltering to unwarranted butchery – which for a film of such calibre would take away from the complex emotive aura. For instance, as the film escalates to the point of sheer horror-filled pandemonium as the treacherous infection spreads, an array of brilliant effects come to fruition. The makeup and design is gruesome, ghastly and macabre in the most unique way possible. The gravity of the fearsome visuals is made all the more nightmarish at the hands of the crafty and powerful performances from leads Gilmour and Quigley Murphy, both of whom excel at portraying depthful, intricate and complicated characters. 

Kill Your Lover is a standout feature that speaks to the creator’s exhilarating storytelling talents. From Austin’s incredible short horror ‘Sucker’ (2022), to Siewert and Austin’s team effort on the anthological entry ‘It’s Inside’ in Isolation (2021), it is a sure thing that this duo is one to watch. 

Catch the film Saturday 28th September at the 2024 festival, tickets and details here.

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Press release – SUCKER creators first feature film wraps Principal Photography!

PRINCIPAL PHOTOGRAPHY WRAPS ON TOXIC RELATIONSHIP HORROR “KILL YOUR LOVER” WITH SPECIAL EFFECTS MAKE UP ARTIST FROM “WINNIE-THE-POOH: BLOOD AND HONEY

Married co-directing team Switchblade Cinema, Alix Austin and Keir Siewert (AK), have just wrapped on their debut horror feature KILL YOUR LOVER: A psychological drama with a punk edge and skin-crawling body horror, where ‘Blue Valentine’ meets ‘The Fly’.
Known for their stylized cinematography and love of practical make-up effects, Austin and Siewert have joined forces with Special Effects and Prosthetics Artist Rebecca Wheeler from the much-discussed upcoming WINNIE-THE-POOH horror (Other credits include: AQUAMAN 2, BOILING POINT).

Still from ‘Do Not Resuscitate’


Having previously worked with Wheeler on horror short DO NOT RESUSCITATE (linked below), AK are looking to take an even bigger and bolder swing with KILL YOUR LOVER – “Else what would be the point?”, says Austin, “we know there’s a lot of competing content out there and we know we need to cut through the white noise. With a machete if need be!”


With several ‘Best Horror’ and ‘Best FX’ awards under their belt, Switchblade Cinema are tackling the full breadth of the toxic relationship in KILL YOUR LOVER: the good, the bad and the downright ugly.
“When Dakota tries to break off her toxic relationship with Axel, it starts transforming him into a monstrous creature with increased aggression, a touch that melts skin and worst of all, he’s contagious…” Above photo still from ‘Do Not Resuscitate’


The film will feature tense horror sequences, heartbreaking interpersonal drama and creative kills alike. KILL YOUR LOVER is the epitome of the phrase ‘death by a thousand cuts’.


To learn more about Switchblade Cinema and KILL YOUR LOVER, visit: www.switchblade-cinema.com/kill-your-lover

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Dead Northern Festival News and Reviews Reviews

Dead Northern 2022 Festival Review – Creature shorts

Eric (Directed by David Yorke) 

Joshua (Oliver Powell) finally gets to meet Eric, the seemingly adorable dog of the girl he’s been recently seeing (Jemma Moore). However, as the evening continues, he gets the sneaking suspicion that Eric is not the normal house pet. The world of modern dating can be a proverbial war zone, battling through strange encounters and even stranger people, or in this case, peculiar pets. Eric takes advantage of the innate dark and satirical humour that comes from a clever and mischievous creature feature. 

Dispensary of Death (Directed by Simon O’Neill) 

After being bitten by one of those snappy creatures that seem to be everywhere, Kevin (Keith Singleton) takes a trip to the pharmacy to see if they can be of any assistance. Dispensary of Death is a hilarious take on the classic undead movie monster that tackles the lack of humanity amidst tragedies all whilst throwing in laugh-out-loud gags and devilishly gory practical effects. 

Caregiver (Directed by Rafael De Leon Jr.) 

A graduate student (Leo DeFriend) interviews a young caregiver (Tara Rose Schreiber) for a class project, however, something just isn’t right. With the micro time frame, the eerie performance of an unhinged woman, and the closely bound setting keeping the set confined and inescapable, Rafael De Leon Jr. devises an incredibly unnerving short horror that forces the audience to sit and wait in terror for the frightening conclusion. 

Bug Bites (Directed by Daniel DelPurgatorio) 

Sandra (Julia Atkin) discovers that her skin is covered in unknown bug bites, leading her to uncover a terrifying secret lurking right beneath her. Body horror and creature features are a match made in horror hell, with the repulsive factor and creepy-crawly frights working together to deliver shocking scares that will make your skin crawl. Bug Bites sheds impactful practical effects that would make Tom Savini proud, as well as delivering a punchy ending that both startles and deliberately bewilders. 

Sucker (Directed by Alix Austin) 

Sam (Sophia Capasso) returns home one day to find that her sister Caitlin (Annie Knox) has developed a strange illness. Sucker maximises the fear that stems from body modifications and the sickly texturisations within horror. The direction from Alix Austin is rooted within the contortionist structure of the film, with the threat of something alien taking over your own being without any hesitancy creating a generalised and strong sense of fear. 

All You Can Eat (Directed by Kieran Reed) 

A young waitress working at a diner has a gut feeling that something menacing is going on behind the scenes, however, before she has the chance to break the secret unseen evil forces get in her way making a bloody mess. From the outskirts All You Can Eat thrives in the traditionalist diner aesthetic brimming with neon glows and shiny surfaces, making the film a visual success. But the glory doesn’t stop short as Kieran Reed creates a rhythmic spectacle using an insanely impressive mix of practical effects and a rip-roaring narrative that has the pedal to the metal the entire time.

Check out the films and much more at this years festival, tickets here