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Dead Northern 2024 – Award winners!

It goes without saying the entire selection for this years fest deserve recognition for their talents as film makers and artists. So narrowing this down to just a handful of award winners has been extremely difficult for this year’s judges panel!

With that said, lets take a look at all the incredibly deserving award winners from the 2024 Dead Northern Horror Film Festival!

Best Feature Film – Kill Your Lover

Directing duo Alix Austin and Keir Siewert delivered a gnarly, grotesque, and emotionally raw feat of tainted love, where body horror and a cerebral narrative collide together to create the must-see ‘Kill Your Lover’.

From the initial setup right up until the credits begin to roll, the entire film is slick with an uncomfortable sense of intimacy. Intimate through its nature of chronicling a toxic relationship. Intimate through its portrayal of up close and personal graphic body horror, and intimate in how it feels as if we have been positioned to voyeuristically gaze like a fly on the wall as Dakota and Axel experience the terrifying motions of their damning monstrosity.

Kill Your Lover is a standout feature and deserving winner that speaks to the creator’s exhilarating storytelling talents. From Austin’s incredible short horror ‘Sucker’ (2022), to Siewert and Austin’s team effort on the anthological entry ‘It’s Inside’ in Isolation (2021), it is a sure thing that this duo is one to watch.

(Directors Alix & Kier celebrating along side Cinematographer Oscar Garth)

Dead Northern Award (Best northern Submission) – All This Time

Writer and director Rob Worsey delivered a standout, complex and thought-provoking second feature that, alongside his zombie-themed feature debut, Among the Living (2022), proves that Worsey is a talent to be watched.

The film dabbles in equal amounts of trepidation, theatrical drama, and gothic horror to form an unholy trinity of emotively triggered fear. For instance, as we see Grace come to terms with the disturbed histories that lie in wait, not once does the film become gimmicky in its scares; instead, bouts of unease are stirred, and waves of darkness are weaponised, collectively espousing a film that is as tonally rich as it is visually impactful.

Worsey’s uncanny ability to stir tension and assemble well-crafted scares that linger like a troubling night-terror are at an all-time high throughout All This Time – A worthy winner of the Best Northern submission to the 2024 fest.

(Writer & Director Rob Worsey, Producer Kate Worsey with cast members Emily Rose Holt and Lyndsey Craine)

Best International Feature Film – The Stickman’s Hollow

The Stickman’s Hollow resembles a multifaceted labyrinth, feeding its complex story bit by bit, acting like a serpentine. It is the slow feed of a terrifying story, the intricate weaving of eerie details and the intimate mode of filmmaking that make this found footage horror unmissable and the jury’s top international submission for 2024.

Composing the heart of the film is all of the plentiful mystery, mythology and lore, which is made all the more effective due to its detailed backstory. The Stickman’s Hollow is based on a chilling true story from Director Jack Cox’s childhood of girl who became lost in the local Vancouver woods. And the story goes… the lost child was presumed to be dead, but after a year had passed there were reported sightings of a feral child roaming the forest and eating the remains of animal carcasses. Found near the spotted sightings were strange carvings of male figures, which all point to sinister misdeeds.

Whilst The Stickman’s Hollow is a fictional story, Cox based the tale on the countless, spine-chilling questions that arise when one thinks of a story of such calibre. What happened to the missing girl? How did the carvings come about? And why do missing persons cases in the backwoods go unsolved? Fictional or not, this is nightmare fuel!

Amplifying the intensity is the fact that the filming location is that of where the backstory occurred, conjuring a level of dread that is often difficult to capture on screen. Adding to the unease felt is the film’s found footage fashion that immediately immerses and stirs a level of uncomfortable immediacy. The suspense brought forth, the anxiety formulated and the foreboding alarm mould together throughout this noteworthy expedition into The Stickman’s Hollow.

Unfortunately the team couldn’t make the fest but look out for our interview with cast an crew coming soon to our socials and YouTube channel!

Best Short Film – Skulk

Claire (Elina Gavare) wakes in the night to the sound of screaming foxes. She remains annoyed yet unfazed at the common disturbance, that is, until she sees a strange figure outside her window. It’s not unusual to hear the screeching cries of foxes in the dead of night, with their innate raspy, almost-painful sounding screams being the nocturnal anthem of the British public.

However, does it ever cross one’s mind that what they think are foxes calling out could be human screams or something even worse? This is precisely what director Max Ward so effectively conveys in Skulk. In the wee small hours of the night, the mind plays tricks on us, and with imaginations running wild, our worst nightmare seems only around the corner, or in the case of Skulk, maybe it’s already inside…

This masterfully delivered short won over the jury with it’s fantastic performances, downright creepy cinematography and perfect delivery of horror.

Fresh Meat Award – The Bloke in the Boot

Northern city boy Mogg (Jude Pollitt) accidentally kills his driving examiner (Stewart James Barham) after a failed test, leaving him to call his lifelong friend Gaps (Oliver Barry-Brook). With a body stuffed in the boot, the pair embark on a road trip to Wales to dispose of the mess. Part situational horror, part traditional British comedy as we join Mogg and Gaps on what can be defined as one of the most stressful types of road trips.

This thoroughly entertaining short acts as an exaggerated imitation of Northern British bonds and colloquialisms, which are built upon by the film’s self-deprecating humour, which is sure to provide belly laughs amidst the dramatic thriller roots additionally explored. Another specificity not to miss is The Bloke in the Boot’s genuinely admirable visual work that displays the grand cinematic views that the UK has to offer.

With the brazen duo’s antics, the unapologetically hilarious British cynicism, and the impressive displays of the countryside’s landscape, The Bloke in the Boot stood out to the jury this year as an immensely talented group of filmmakers to keep your eye on.

(Cast member Jude Polllitt-Berthereau & Director Taylor Caddick celebrating their win on the Sunday of the fest)

Best Cinematography – The Rising of the Sap

Produced by the BFI is Susie Jones’ The Rising of the Sap, a folk horror short following Bea’s (Darci Shaw) unwitting journey into ‘The Rising’ and her mother Elizabeth’s (Joanna Scanlan) fight to stop it. Where this film flourishes is the performances, which work to elevate Jones’ outstanding story following the darkness found lurking within the human condition.

As the film unravels, the folkloric elements intertwine with the character study of Bea’s fascinations and Elizabeth’s troubles to create a horror saturated with paranoia, isolation, manipulation and deception. Adding to the thought-provoking narrative is the film’s masterly composition of evocative imagery that is both gritty and visceral yet charmingly suave and ultimately became the panel’s favourite for Best Cinematography of 2024.

Congratulations to the team and particularly Paul Mortlock – cinematographer on the production.

Best Performance – Becca Hirani – The Monster Beneath us

Bursting with tales of losing control and challenging reality, all entwined with a hint of familial trauma and ladened with a haunting gothic aesthetic that bodes stunning imagery and a grippingly tense atmosphere is Sophie Osbourne’s The Monster Beneath Us.

The Monster Beneath Us’ cunning ability to rouse great terror inch by inch is a testament to the film’s sundry charms, from the evocative performances and the thoughtful milieu of designs that echo the time period all the way through to the atmospheric soundscape that conspires with the harrowingly toned cinematography

Becca Hirani’s performance as Lady Grace Abbington captured the Jury’s attention for her fantastic portrayal of a mother consumed with grief and loss.

(Becca posing with her award on the Sunday of the fest)

Best Supporting Performance – Ellen Jane Thomas – Scopophobia

Scopophobia’s female driven cast with fleshed out, complex characters, gnarly (and unbelievably gory) practical effects, powerful scoring, immensely captivating visuals and directorial dynamics all amalgamate together to create one hell of a horrifying and wicked elixir pot that is a testament to the brilliance of independent horror filmmaking.

It’s within this elixir pot we see an outstanding performance from Ellen Jane Thomas as Mia!

(Ellen celebrating the win at the Dead Northern Awards party)

Best Special Effects – Black Hole Barry

Prior to Scott’s (Michael Batten) boyfriend Robin (Joseph Potter) moving in, he ventures out for one last wild night of freedom. Unbeknownst to him, his secret philandering will soon result in an almighty reckoning. The exceptional results of this demonic horror are a testament to independent filmmaking, with its extremely unique and unorthodox exaggeration of adulterous characters being a hilariously dark and twisted spin on genre cinema.

It was the uniquely designed demon that grabbed the attention of the Jury for this years special effects award!

(The Black Hole Barry team grabbing a photo before their screening at the fest)

Bloody Good Death Award – Little Brown Bird

On the shortest day of the year, the overworked farmer Kate (Eliza Butterworth) must care for her ailing father (John Rhys-Davies), who has dementia and is convinced that something is hunting them. Little Brown Bird is an emotionally charged film that tackles the living loss of a loved one through dementia, with the relationship between Kate and her father being a focal point for the affective narrative to flourish.

In tandem with the riveting, poignant story is the film’s moving scoring, which has a softness akin to a lullaby that works to further the dimensional relationship between the father-daughter bond amidst an air of uncertainty and mystery.

Without spoiling this fantastic film there is a whole bunch of gnarly kills that stood out to the jury and left us thoroughly entertained!

(Director Peter Rogers with his newly won trophy)

That’s a wrap on Dead Northern 2024, see you again next year!

Want more top horror lists and reviews? Check out our blog here..

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News Reviews

Review – Late Night with the Devil (2024)

Late Night with the Devil sees the excellent David Dastmalchian as Jack Delroy, a 1970s host of the late night chat show, Night Owls. Desperate to gain viewers back after a tragedy in his personal life, Jack themes his latest episode around occultism, however, the broadcast goes horribly wrong when a possessed guest unleashes a world of hell. 

The directing duo, Colin and Cameron Cairnes delivers a menacing and mischievous feast brimming with hocus pocus trickery that constantly deceives and takes the viewer on a  rollercoaster of havoc as we see a talk show spectacle turn into a cinematic rendition of satanic-panic-like mayhem. Late Night with the Devil’s wacky, yet utterly malicious narrative takes shape due to its clever filmic development; the film immerses itself into its vintage layout, with the frame taking on a surprising found footage arrangement, but not how one would generally expect it to. In other words, instead of a small handheld camera capturing POV’s, the found footage lens is of a ‘lost tape’ that has been discovered by a group of current documentary filmmakers. It’s a unique breaking of found footage codes, shaking colloquial storytelling and providing a level of exciting mystery. 

Shadowing the film’s fresh take on the diegetic lens is its meta-esque feel, thanks to the late night lost tape appearing as a live broadcast. Immediately, bells ring to the likes of Ghostwatch (1992), WNUF Halloween Special (2013) and Haunted Ulster Live (2023) all of which utilise an almost forbidden feel, watching realist-coded footage gone wrong. Late Night with the Devil joins these witty displays of interactive filmmaking that have created an intriguing and entertaining cinematic discussion surrounding participatory viewership.

Whilst it is certain to say that presenting the moving image as an unplanned, charged, live piece aids in the fright factor and immediacy of it all, what is not to be underestimated is how the film’s performances equally contribute to the overwhelming impact of it all. Dastmalchian shines on screen, taking the already fantastically written character and making the role come to life with his portrayal of a broken man attempting to redeem some form of oomph back into his career, only for it to all come crashing down in a great calamity. Further to this is the film’s ability to conjure a scare or two. It is also worth mentioning how the film does not solely rely on brief and rapid ineffective jumpscares to entice a shriek, instead, the scenes are crafted in a way that allows for slowburn reveals that act to chill rather than shout ‘boo!’. 

Since the film’s premiere at 2023’s South by Southwest Film Festival, reviewers have raved about Late Night with the Devil, commending its distinctive atmosphere and novel style, yet there has been some commentary regarding its use of CGI. Despite the beloved (and deserved) reputation of practical effects, the use of computer-generated imagery is not the devil, it can in fact be an effective tool. However, there are some pretty obvious, and poor uses of it within Late Night with the Devil, particularly involving scenes featuring lightning, which feels quite out of place and inauthentic when compared to the rest of the film’s stylisation. 


In short, Late Night with the Devil oozes appeal, whether that be through its enthusiastic medium that the exciting story is told, or through its riveting storyline that unfolds, convulses, twists and turns until it reaches an almighty, and showstopping revelation – whichever way, Late Night with the Devil is a must-see horror.

Want more top horror lists and reviews? Check out our blog here..

Categories
News Reviews Top Horror

2024 horror film releases

1- MaXXXine (Directed by T.I. West)

Completing T.I. West’s zealous ‘X’ trilogy is MaXXXine, a cinematic epilogue following massacre survivor Maxine’s (Mia Goth) journey to stardom in the early 1980s. With West’s signature homage to gritty nostalgia-driven thematics and Goth’s ability to immersive herself into her characters with visceral ease, MaXXXine will certainly be an unmissable slasher. 


2- Shelby Oaks (Directed by Chris Stuckmann)

Youtuber Chris Stuckmann’s directorial debut has already made waves across the independent film industry, with its Kickstarter campaign breaking records as the upcoming found footage inspired horror crossed the $1 million point early last year. Shelby Oaks tackles the story of a missing paranormal investigative team and the pandora’s box of hell that their disappearance unleashes.

3- Late Night with the Devil (Directed by Cameron and Colin Cairnes)

This highly anticipated Australian horror burst onto the scene with nothing but rave reviews after its premiere at the South by Southwest Film Festival. Taking centre stage is David Dastmalchian as Jack Delroy, a smooth-talking late-night talk show host whose show quickly goes south one fateful night after he interviews a survivor of a satanic mass suicide. 

4- Lisa Frankenstein (Directed by Zelda Williams)

One of horror’s favourite writers, Diablo Cody (creator of Jennifer’s Body [2009]), is back with the 1980s set Lisa Frankenstein, a morbid, fresh and ghastly take on the classic Frankenstein monster’s tale. Kathryn Newton plays the role of enigmatic teenager Lisa Swallows, who falls head over heels with a living corpse (Cole Sprouse). Dressed with bubblegum pink aesthetics and a ghoulish love story, Lisa Frankenstin makes for a perfect spooky Valentine’s watch as it hits screens on the 9th of February. 

5- Saw XI (Director TBC) 

A new entry into the neverending, blood-filled, gore-ridden Saw franchise is heading to theatres in late September. However, this is all that is known about the latest cog in Jigsaw’s grand plan so far. Despite its acclaim, writers of the warmly received Saw X (2023), Peter Goldfinger and Josh Stolberg, will not be returning to carry on the Saw legacy. Although the mystery is strong surrounding this upcoming release, one thing is for certain: Jigsaw’s game is far from over!

6- Longlegs (Directed by Oz Perkins)

The chilling teaser trailer for Oz Perkins ‘Longlegs’ has been haunting the internet since the new year, with small snippets of malevolent stills and unnerving clips of tense, unfamiliar symbols appearing all over social media. This sure-to-be hit follows FBI agent Lee Harker (Maika Monroe) as she is assigned to an unsolved case of a serial killer linked to the occult. 

7- Hell of a Summer (Directed by Finn Wolfhard and Billy Bryk)

Hell of a Summer follows the structure of a classic (and unbeatable) summer camp slasher, complete with a mysterious masked killer who lurks the grounds looking for prey. Whilst a strong sense of familiarity rings true, what Hell of a Summer does promise is an extremely gory, wild and savage take on a genre favourite. 

8- Terrifier 3 (Directed by Damien Leone) 

Horror’s residential terrifying clown – ‘Art’ (David Howard Thornton) has been scaring the wits out of people since his first appearance in Damien Leone’s short film The 9th Circle (2008), and now he’s back yet again for the highly anticipated Terrifier 3. With its first look trailer already rapidly making the rounds, this upcoming Christmas-based slasher will certainly be making some noise when it gets released come 25th October. 

9- The Toxic Avenger (Directed by Macon Blair) 

It takes a bold crew to tackle Troma Entertainment’s bold cult classic, The Toxic Avenger (1984). However, from the looks of the fiery trailer and the talented cast including none other than Peter Dinklage and Elijah Wood, the fifth entry into the ‘Toxie’ franchise is set to be an offbeat, untamed, maverick-like beast of a film. Catch the latest Lloyd Kaufman and Michael Herz produced flick later this year. 

10- Baghead (Directed by Alberto Corredor) 

Hitting theatres on the 26th of January is Baghead, a paranormal horror following Iris Lark (Freya Allan), who inherits a broken-down pub she soon discovers a sinister presence lurking underneath the premises. Baghead’s corpus of dread surrounds the rhetoric of loss, decay and the dwellings of mortality.

11- Abigail (Directed by Matt Bettinelli-Olpin and Tyler Gillett) 

From the creators of Ready or Not (2019), Scream V (2022) and Scream VI (2023) is the upcoming creature feature Abigail. Based on Dracula’s Daughter (1936), Abigail takes on vampirism with a vicious twist as the enthralling plot follows a group of kidnappers who abduct the daughter of an influential figure for ransom, only to discover their victim’s bloody appetite…

12- The Strangers: Chapter 1 (Directed by Renny Harlin) 

Despite the rumours, The Strangers: Chapter 1 is not a sequel nor a remake of the 2008 contemporary classic, The Strangers (Bryan Bertino). Alternatively, this Renny Harlin feature is the first of a standalone trilogy that occurs simultaneously with the original ‘08 timeline. With this being said, in Chapter 1 expect plenty of home invasion thrills, intense frights and most notably, some of the scariest masks horror has to offer. 

13- Nosferatu (Directed by Robert Eggars) 

Robert Eggars may just be the perfect choice to bring the infamous Count Orlok back to life, with his ability to convey macabre yet beautiful narratives, alongside his brilliant stylistic techniques that consistently utilise the likes of dramatic chiaroscuro lighting. Joining Eggars in bringing Nosferatu to old and new audiences to the screen are performers Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin and Willem Dafoe. 


14- Your Monster (Directed by Caroline Lindy) 

Based on Caroline Lindy’s 2019 short film of the same name is Your Monster, a horror comedy with a heartwarming dash of morbid romance. The film follows Laura Franco (Melissa Barrera), a young woman simultaneously dealing with a breakup and a cancer diagnosis. However, her world is about to get increasingly stranger as she uncovers a petrifying but oddly endearing monster (Tommy Dewey) residing in her closet. 

15- The First Omen (Directed by Arkasha Stevenson) 

The Omen (1976) still lives on 48 years later as Arkasha Stevenson introduces The First Omen, a prequel to the original Richard Donner directed tale of horror’s deadliest child. The film chronicles Margaret (Nell Tiger Free), a young American nun sent to a church in Rome. However, she soon discovers a conspiracy within the Lord’s house as they attempt to bring about the birth of an evil incarnate. The 6th entry into the all-mighty franchise is set to be theatrically released on April 5th. 

16- In a Violent Nature (Directed by Chris Nash) 

This indie horror follows a masked silent man as he makes his way through a secluded forest (and a sea of bodies). In a Violent Nature proves that slashers are alive and well, with this slick yet dauntingly raw and seriously creative horror forgoing cliches and putting an original twist on the beloved subgenre with the film following the perspective of the antagonist. 

15- Dust Bunny (Directed by Bryan Fuller) 

Mads Mikkelsen and Sigourney Weaver star in Bryan Fuller’s (Hannibal [2013-15] developer) feature debut film about an eight-year-old girl who pleads with her neighbour to kill the monster hiding under her bed who massacred her family. The seemingly outlandish but entertaining concept of Dust Bunny is said to be rife with a throwback vibe, reminiscent of dark yet oddly comedic and heartwarming horrors from the 1980s such as The Lost Boys (1987).

16- The Watchers (Directed by Ishana Night Shyamalan) 

M. Night Shyamalan’s daughter Ishana makes her directorial debut with The Watchers, an eerie creature feature that amalgamates with a secluded forest horror setting as we follow young artist Mina (Dakota Fanning) who finds herself trapped alongside three strangers in an isolated forest in Ireland surrounded by sinister beasts. 

17- Handling the Dead (Directed by Thea Hvistendahl)

Adapted from the 2005 John Ajvide Lindqvist (Let the Right One In [2004]) novel of the same name is Handling the Dead, a Norweigan zombie film that tells the tale of three families whose lives are plunged into madness when their deceased loved ones are reanimated. The film strips back the hecticness of the archetypal zombie territory and opts for a muted, haunting atmosphere where the emotional anti becomes the driving force. 

18- The Home (Directed by James DeMonaco) 

After troubled retirement home worker Max (Pete Davidson), discovers that his patients are harbouring a menacing secret, he begins to reveal connections between his upbringing in a foster care setting and the ominous happenings at the ill-omened home. The Home sees James DeMonaco back with another horror following on from his work with The Purge franchise.

19- Imaginary (Directed by Jeff Wadlow) 

Joining the likes of the Chucky TV series (2021-), Megan (2023) and Five Nights at Freddy’s (2023) is Jeff Wadlow’s ‘Imaginary‘ which is set to hit theatres on March 8th. Imaginary’s ‘evil toy comes to life’ is a stuffed bear named Chauncey who was the beloved childhood companion of Jessica (DeWanda Wise). However, when Jessica’s stepdaughter Alice (Pyper Braun) gets hold of Chauncey and her once innocent behaviour turns vicious, Jessica realises that Chauncey holds a wicked secret.

Want more top horror lists and reviews? Check out our blog here..

Categories
Dead Northern Festival News and Reviews Events Food and Drink News

SINNERS GIN

Sinners-Gin-logo
Sinners-Gin-logo
Sinners-Gin-logo
Sinners-Gin-logo

Gin and horror films – a combination as old as time, no? Well, at the Sinner’s Distillery, we make gin and happen to love horror films, so they work well together in our mind! Imagine then, when we got offered the chance to team up with the gang at Dead Northern, how could we say no? Adding our little slice of hell to their horror film Mecca was a no-brainer. Sinner’s Gin was born out of a want to polarise audiences with our adoration of rock music and demonic imagery, and because we’re big horror buffs ourselves, it was a marriage made South of Heaven!

We’re Tom & Alex, the team behind Sinner’s Gin! Come say hi at the Dead Northern Film Festival in September, we’ll be hanging around all weekend flogging merch, taking orders for bottles of alcohol, and talking all things from Yorkshire Tea to the Terrifier franchise.

So, what is Sinner’s Gin? Sinner’s is a London Dry Gin, which amazingly doesn’t mean it is made in London! For those unfamiliar, a London Dry Gin means it is made traditionally in a pot still, with the predominant ingredient in the botanical mixture being juniper berries. Aka, a proper gin (but one that doesn’t taste like paint stripper). Coming from sunny Wakefield (read: some dive in West Yorkshire), we had to bring a little bit more than just a traditional flavour palate to our concoction, which is why we used a few botanicals to hail where we’re from.

Liquorice root is a traditional botanical in gin, and we use it in tribute to our nearby town of Pontefract (think Pontefract cakes). Liquorice adds a notable sweetness to gin, and adds viscosity to the liquid, giving it a lovely mouth feel.

Ginger and a ginger peppercorn called Grains of Paradise, are used by us to add a bit of depth and peppery heat to the gin. This is in tribute to Yorkshire being the place where ginger beer was first created many moons back in the 1700’s – bet you didn’t know that one!

Finally, we always joke that Wakefield is famous for 2 things – the maximum-security prison that holds Britain’s most dangerous criminals, and less interestingly, forced rhubarb, grown in the winter. We’re part of what is known as the Rhubarb Triangle, and so we had to incorporate a good whack of that pink goodness into our gin. It makes Sinner’s a little sweet, a bit sharp, and really delicious!

So, what about the bottle? We enlisted a well-known tattoo artist from Leeds to help craft the attitude on display. The bottle will always grab your attention on a shelf, but the taste will keep it. We put a blank canvas in front of Simon, gave him the brand name, and said “we don’t want to be in a Tesco. Make it outrageous.”

A few weeks later, he stuck Baphomet, a deity of hell, on the front of the bottle and the F-word on the back – can’t ask for much more outrageous than that, can you? We knew we were onto something when the 8th generation Master Distiller we designed our recipe with, who was going to produce our first batch while we were setting up, turned around and said to us that unless we changed the branding, he would refuse to distil for us. Rock and Roll!

Sinner’s works exceptionally well in most gin cocktails too! The reason being that we pack so many citrus notes in, that normally go undercover in a G&T, cloaked by the allure of delicious rhubarb, but come out swinging with the right love and attention, as do the ginger and cinnamon when called upon in heavier situations like a Negroni. We often have fun creating brand new cocktails, and we will be for the York event in September, but a crowd pleaser we crafted some time back was our gin-based tribute to the classic Lynchburg Lemonade cocktail, named after Lynchburg, Tennessee – the home of the Jack Daniels distillery. Instead, we lovingly named ours after an area of Wakefield reputable for widespread graffiti and adoration for cheap booze. Here’s how to make the Lupset Lemonade:

Ingredients:

  • 50ml Sinner’s Gin, or another contemporary London Dry Gin. (Think Fifty Pounds or Monkey 47)
  • 25ml Cointreau
  • 25ml fresh lemon juice
  • Grapefruit Bitters (or your favourite alternative)
  • Citrus of choice to garnish
  • Lemonade to top up

Method:

The best way to start is by garnishing your glass. Firstly, give a couple of good shakes of grapefruit bitters into a glass and give it an upside-down twirl to encourage maximum coverage of your vessel. Angostura bitters work fine, and it is more traditional for the bourbon cocktail we based this off, but the smell of clove can be a bit overpowering if you’re heavy handed, so we recommend citrus-based or even rhubarb bitters should you feel inclined!

Then stack ice cubes and your favourite citrus slices into the glassware – you can make it as artistic as you like! We typically use lemon and lime to encourage the Sinner’s gin to start singing, but orange or grapefruit are excellent too.

In a cocktail shaker, pour your gin, Cointreau, and lemon juice, top up with as much ice seems sensible, pop your top on and give it all you’ve got! We find that shaking with fresh lemon juice works best, you oxidise some of the oilier compounds, and it takes the right edge off everything being just too strong. Stirring works nicely if you’re not confident with a cocktail shaker, but try them side by side and you’ll understand what we mean.

Strain the cocktail shaker and pour into your glass, about 70-80% full. Then top up with a classic lemonade to taste. Feel free to garnish with whatever you like to wow your guests, some candied rhubarb and dried orange works nicely, but the result should be a real sucker punch of sweet citrus, with a refreshing tang from the lemon juice and the bitters. Crucially here, the gin isn’t the notable star, because it forces everything else into the spotlight. The orange peel and rhubarb we pack into Sinner’s pushes the Cointreau onto the palate, with the coriander seed and liquorice root adding a delicate lemon sweetness to the cocktail.

Feel free to experiment and make this little sip of enticement your own though! We’ve made it with blood orange juice in the past, as the picture below, and it worked exceptionally with the more bitter notes in there than the traditional lemon.

Stay hydrated you reprobates; we’ll see you in September!

For more info on Sinners Gin go to

Website www.sinnersgin.co.uk

Instagram instagram.com/sinnersginuk

Facebook facebook.com/sinnersginuk

Twitter twitter.com/sinnersginuk

Categories
Curiosity Corner Dead Northern Festival News and Reviews News

Dead Evil Clothing

Dead Evil Clothing
Dead Evil Clothing

Dead Evil Clothing is a grass roots start up horror & alternative apparel brand based in York, the most haunted city in Europe!

We are life long horror fans, and our mission is simple: to clothe the masses in the darkest and most spine-chilling fashion possible. We believe that true style comes from embracing your inner demons and wearing them on your sleeve (or on your t-shirt, hoodie, or hot-pants, for that matter). 

Bringing a new, exciting perspective to horror & alternative fashion, our ghouls will be creating designs that celebrate the genre in a unique and memorable way.  We aim to build a community of horror enthusiasts who have a passion for the genre, and who are not afraid to express their love for the macabre and unconventional.

We have big goals and aspirational plans for Dead Evil, and our focus will not only be apparel but we aim to move into home decor, a podcast, a sister alcohol brand and eventually a physical themed shop for all you ghouls out there. The final piece of the puzzle will be Dead Evil Films, who are currently underway creating their first horror short.

Alongside this we have also created the Dead Evil Initiative, a community program created to support and inspire the creative side of the alternative and horror community. Our goal is to provide a platform for horror artists, musicians, and other creatives to showcase their unique and imaginative works. Every time you buy an item you are essentially helping the horror community thrive.

As part of the initiative, we pledge to donate 5% of our yearly profit to support and promote the most innovative and boundary-pushing projects in the community. Whether it’s an underground horror film or an alternative art exhibit, we want to help make these projects a reality and push the limits of what’s possible. So join us in supporting the Dead Evil Initiative, and let’s celebrate the spirit of creativity in the horror and alternative community!

Did your rotting hearts beat at what you’ve just read, well if you’re ready to embrace your dark side, come join us at Dead Evil Clothing. We promise you won’t be disappointed – or if you are, it’s probably because one of our cursed items has possessed you. Either way, it’s a win-win in our book.

Check out more Dead Evil Clothing at

Buy online at www.deadevilclothing.com

Intstagram instagram.com/dead_evil_clothing

Facebook facebook.com/deadevilclothinghorrorapparel

Categories
Events News

Spark and Refuse films present a Troma film night

spark and refuse films present a troma film night

Saturday, 19th August

6:00PM – 10:30PM

Join us on Saturday 19th August at 6pm for a special Troma film event, featuring the viewing of two exceptional films, My Bloody Banjo and Eating Miss Campbell – both directed by a great local talent, Liam Regan. After a successful tour in the U.S. with Lloyd Kaufman and Troma Enterprises (The Toxic Avenger and Class of Nuke Em High), Liam is excited to be hosting this one off double bill screening. This is a must see event for horror and B movie fans alike!

Get your tickets here

Only 50 tickets available for this special event!!

The screening will also be accompanied by:

Q&A with director Liam Regan after both screenings

Signing and photo ops from director & lead actor Lyndsey Craine

Chance to win Troma merch and props 

Exclusive recorded intro by Lloyd Kaufman (EMC producer and creator of the Toxic Avenger) 

And MORE surprises!

Food and drinks available from SPARK traders and bars

On-site toilets available including accessible facilities

Air conditioned venue space

LIMITED TICKET AVAILABLE, SO BOOK YOUR SPOT NOW!

STRICTLY 18+ EVENT so please bring ID

WARNING: These movies are not for the faint hearted or easily offended!

*T&C’s By purchasing the ticket for this event, you consent to receive occasional promotional emails from sparkyork.org. You can unsubscribe at any time

Categories
News Reviews

Review – Beau is Afraid

Our student write Hayley is back with a review of Beau is Afraid.

Beau is Afraid is the 3rd feature length film directed by Ari Aster (Hereditary, Midsommar) It stars Joaquin Phoenix as Beau who is trying to get back to his mother’s funeral. To go into more of the plot would take away from the experience of watching the film. Its definitely the most bonkers film I have seen but in the best way possible. Aster has created a psychedelic, psychological, horror comedy that stays with you long after you leave the cinema. Mainly as you will be asking what the hell just happened. I can see it being a film you will need to watch more and more to see all the little details.

Beau is Afraid feels very different to Aster’s other work. It doesn’t have a cult/folk feel to it. I’m excited to see where he goes from here, whether that be exploring horror or other genres.

Beau Is Afraid feels like something between a person’s fever dream and a breakdown due to grief. These themes change throughout the film, it definitely keeps you on your toes. No matter how many times the themes change throughout, there is a level of care and passion throughout that can be felt. Aster has created a world that has no limits to the imagination.

The standout performance for me was of course Joaquin Phoenix himself. He makes you sympathise with Beau and want to follow his journey. All you want for him is to get back home. The people he meets along the way feel like villains from other horror masterpieces. Such as Nathan Lane in an almost Misery kind of tale. This is his first foray into horror and I hope it isn’t his last.

The visuals on screen are just wow!! You get taken away to different places through Beau’s imagination. To me that’s where the horror comes from. Aster has taken the format that what we see in our minds is always scarier than what we see on screen. Seeing the different places Beau goes to in his mind and how they play out is a great way of showing horror in a very subtle way. You’re never quite sure what’s gonna happen or see next. The ending comes out of nowhere but to be honest I wouldn’t expect anything less from Aster. Being nearly 3 hours long it does have slow moments, but never feels like a slog or a chore to get through. Sitting in the cinema it felt like no time had passed. It was a film I had been desperately waiting for, for a couple of years. I wasn’t disappointed at all. If anything I’d say it was better than I was expecting. it’s definitely a film going in knowing as little as possible and expecting the unexpected.

If any of you saw it, did you enjoy it?

Have you seen Ari Aster’s other film?

Did you enjoy those too?

Categories
News

Burn Portraits

Burnt Portraits
Burnt Portraits

Burnt Portraits: Filmmaker Leo X. Robertson’s Spiral into Madness in a Dank Basement

Stavanger, 23 May 2023–Robertson Rojas Productions is thrilled to announce the upcoming release of their latest independent film, Burnt Portraits. This well-received film, directed by Leo X. Robertson and Sam Crichton, promises to take audiences into the heart of artistic and existential darkness through a blend of thriller, drama and horror.

After an epic influencer party in London, a popular singer (co-director Sam Crichton) wakes up in the dim studio of an unusual painter (played by writer/co-director Leo X. Robertson). He quickly hits it off with the painter, forming an unexpected bond despite their differences. However, the singer’s naivety lands him in deep trouble. Once he attempts to leave, the pair’s friendly relationship takes a turn and sinister chaos erupts.

Something like a cross between Richard Linklater’s Before Trilogy and Hitchcock’s Psycho, Burnt Portraits offers the kind of unique voice and perspective only available in indie film.

Burnt Portraits showcases the acting talents of Leo X. Robertson and Sam Crichton. In a demonstration of the narrative filmmaking principle that “story is king”, their performances are front and centre of this dialogue marathon of a film.

Burnt Portraits was shot on location in Stavanger, with a skeleton crew of two people–Leo X. Robertson and his husband, Juan Rojas. Shot in black and white with a grainy look, it looks like a forgotten reel of film you might find on the shelf of the creepy basement in which it takes place. 

As an independent production, Burnt Portraits represents the vision and creative spirit of Robertson and Crichton. It serves as a testament to the power of independent filmmaking in exploring unique narratives and serves as an inspiration to what is possible when a few dedicated film lovers get together and use their imagination.

Burnt Portraits premiered at the Dead Northern Film Festival in 2021.

The film will soon be available through Amazon, Apple TV and Google Play, with a projected release date of June 26th this year.

For press inquiries, interview requests, or to arrange a screening of Burnt Portraits please contact Leo at leo.x.robertson@outlook.com or +4790286691

About Robertson Rojas Productions:

Robertson Rojas Productions is a film production company based in Stavanger, Norway. Its mission is to create films of every genre that focus on the power of creativity, writing and performances. Its other notable projects include The TrutherNet Apocalypse, Face Boy and Searching for Veslemøy.

Categories
Dead Northern Festival News and Reviews News

Dead Northern Horror & Fantasy Film Festival: A festival to die for… Is back this September

CELEBRATE THE BEST OF INDIE HORROR ON THE BIG SCREEN!

  • Dead Northern Film Festival returns for a fourth year with a three-day horror and fantasy film festival in the heart of the UK’s spookiest city, York.
  • The festival will be held from Friday 29 September to Sunday 1 October 2023
  • The programme will feature a 50th anniversary screening of ‘The Wicker Man’, new short and feature films, live events, Q&As with filmmakers and much more!

Following last years success, which saw over 500 admissions, celebrating the best of the indie horror film genre, the Dead Northern Film Festival returns with a thrill-packed weekend.

Horror and fantasy fans are invited to the York’s City Screen Picturehouse to spend the weekend celebrating frightfully good flicks old and new.

The line-up includes a mixture of specially curated new feature and short films from the best talent in the genre, locally and internationally, as well as a celebration of some classic horrors reaching milestone anniversaries.

Folk horror will take centre stage over the weekend with 50th anniversary screening of Robin Hardy’s ‘The Wicker Man’ accompanied by a panel of special guests and a carefully selected group of folk horror shorts.

Beyond the film – Expect interviews with industry creatives

There will be something for all genre fans from creepy thrillers to blood-soaked slashers.

Joshua Lawson Co-founder and director of festival programming says of the line-up: “We’re really excited to welcome Dead Northerner’s back to our most ambitious festival yet.”

“I can honestly say this is going to be strongest line up we have had in our 4 years growing the festival, with an eclectic mix of extra fringe events and activities”.

Festival goers enjoying the City Screen in between screenings

There will also be other surprises for festival attendees including special introductions, guest speakers and, of course, the live events and awards party that has become a fan favourite. 

Dead Northern Festival award winners will join past alumni such as Rob Savage (Host) who won film of the year in 2020, and Erik Bloomquist (Ten Minutes to Midnight). With the most anticipated award “Best Death” won by Liam Regan’s Troma hit in 2022 (Eating Miss Campbell) sponsored by Dead Happy.

Liam Regan accepting the award for ‘Best Death’ in 2023

Brand new to this year is the ‘Bizarre Bazaar’ a unique marketplace dungeon of brilliantly unusual vendors dedicated to fans of the horror and fantasy genre.

VIP Weekend Passes for the festival are now on sale with day passes and individual screening tickets set to be available in August when the full festival schedule is released. 

You can follow Dead Northern Film Festival on Facebook, Twitter and Instagram. 

Categories
News Reviews

Review – Nightsiren

Supporting up-and-coming talent is a massive part of what we do here at Dead Northern, so when we received a message from a student looking for an opportunity to review for us we jumped at the chance. We’d like to introduce Hayley to the Dead Northern family.

Without further ado, here’s Hayley’s review of Nightsiren.
 
Nightsiren is a 2022 Slovakian folk horror film directed and written by Tereza Nvotova. It had its UK premiere at this year’s Glasgow Film Festival. It has won the Golden Leopard Filmmakers of the Present 2022premiere


The film stars Natalia Germani as Charlotte and Juliana Ol’hova as Helen. It film follows Charlotte (Germani) who comes back to her childhood mountain village seeking answers regarding her traumatic childhood. Whilst there strange things happen and the villagers accuse her of being a witch. Whilst at the village she befriends Helen (Ol’hova), the two of them become close friends and try to figure out what happened in Charlotte’s past. Throughout the film Charlotte discovers things from her past were not as she once perceived. She does find answers but whether or not they are what she is looking for is another story. Nightsiren is all about who you can trust and who can’t be trusted.
 


Nightsiren is based on folktales and how they are still believed in rural areas in today’s society. I’m not sure if the film is based on a specific Slovakian folktale or a culmination of lots of different folktales.
The horror comes from not knowing what’s real or not. Are there witches? Is it all in the villagers’ heads? It reminded me very much of The VVitch in that sense. Being in a secluded place with the feeling that you can’t escape and you don’t know who the real enemy is. The villagers themselves add to the horror. They are the ones that are pointing the finger at Charlotte stating that she is the witch. There is a feel of paranoia throughout the film, from the villagers thinking there is a witch within their midst to Charlotte and Helen fearing for their lives.
 
Nvotova has made a slow burn horror that keeps you asking who the real enemy is. This is the third feature length film for Nvotova. She understands what audiences want when it comes to folk horror. A tale of twists and turns. Nvotova started as a documentary director, this is her first foray into horror. I’m excited to see where she goes from here and if horror is something that she delves into more.
 
Both Germani (Charlotte) and Ol’hova (Helen) are stand out performances. The way that they grow throughout the film both separately and together. Their relationship is something that is questioned throughout the film. Did they know each other before Charlotte came back to the village? Is there something more between them?


Nightsiren is the kind of horror that stays with you long after it’s ended. It certainly has with myself. What I liked most about the film was that nothing is ever really explained; it just starts and from there you need to figure out what’s going on. This is definitely one for fans of folk horror. Folk horror is a genre that seems to be making a coming back in the last few years. It’s interesting to see where the genre will go in the following years.

To see the trailer for Nightsiren click here