Author: The Granddad

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Curiosity Corner Dead Northern Festival News and Reviews

Unusual Horror – Underground Horror Apparel

Created in 2020, ‘Unusual Horror’ has been bringing the brutality of underground horror and metal to market, giving fans of slam, death metal and extreme horror a means to express themselves. The brainchild of someone whose two obsessions of extreme metal and horror have culminated in the creation of brutal apparel and accessories for the community.

‘Unusual Horror’ focuses on 3 main areas: Horror inspired prints, slam & death metal merchandise and underground/extreme horror licensed merchandise. Through collaborating with underground bands, directors and independent artists, you are guaranteed to get a once in a lifetime piece of merchandise. From the likes of t-shirts, hoodies and other apparel donning edgy death metal script and independently designed artworks, those in the alternative community have a new way to express themselves.

Initially starting with a handful of pieces that donned edgy prints of Nuns in illicit situations and other quintessential metal-like prints, like Baphomet at a ritual, etc, the brand has grown significantly. With popular designs such as the ‘Sisters of …’, ‘Ritualistic Offering’ and ‘GoreChrist’ being repeatedly re-printed due to high demand – the want for more extreme prints is simply growing. It appears that people in the alternative circle are sick of the tame designs from the likes of Killstar and are now hunting down these sorts of designs, which ‘Unusual Horror’ are serving up to the masses. They pride themselves in collaborating with independent artists to offer the best quality and unique pieces, which give the buyers a unique item and the artist more exposure for their work. With new designs very much on the way, ‘Unusual Horror’ fans are in for a hell of a ride with their new signature collections and not to mention new additions to the ‘Sisters of…’ collection.

Unusual Horror Store


On top of their signature pieces, ‘Unusual Horror’ also gives a home to those fans of extreme & underground horror; creating licensed collections of some of cinema’s most controversial titles. With titles like ‘Deathgasm’, ‘Septic’, ‘Nekromantic’ & ‘American Mary’, the store’s collection only seems to grow with each release. Boasting a huge accomplishment with their latest release, their ‘A Serbian Film’ collection is classed as the only licensed merchandise collection for the film (worldwide) and has received a huge amount of interest since its pre-order release.

Unusual Horror Store


‘Unusual Horror’ prides itself in collaborating with these underground and extreme film makers, to allow them to have the same type of platform that the more mainstream horrors get. Regardless of backlash from people who aren’t fans of the extreme side of horror, it appears that, thanks to ‘Unusual Horror’, the world of extreme horror is simply growing, simply due to people wearing the merchandise and boasting their interests in this type of film – something that many fans have had to suppress due to lack of representation in clothing and also the fear of judgement.


It isn’t just licensed merch that they are passionate about on the front of extreme horror, their newest venture will see them distributing new underground/extreme horrors. They have recently received the distributing rights to up and coming Italian, queer extreme horror films
‘ELDORADO’ and ‘La Perdición’ by renowned director Domiziano Cristopharo, who directed films like ‘House of Flesh Mannequins’ and ‘Xpiation’. Filmed in Gran Canaria, Director Cristopharo boasts that these films are the quintessential watch for any extreme horror fan that has an interest in queer cinema. These are aiming to be released in December 2023 with a brand new range of merchandise for each film that should tantalise any extreme horror fan.

It’s clear that ‘Unusual Horror’ doesn’t just make merchandise, but have now expanded their options by creating distribution options for underground extreme horror; a feat many small brands couldn’t accomplish. Their final pillar of interest is mainly focussed on the slam/death metal/deathcore scene; this has always been a focus for the brand, with their logo invoking similarities to a lot of death metal band logos. This passion for underground music has been a catalyst for the brand, with them creating merchandise for local and home-grown death metal bands and allowing fans to show off their favourite underground metal bands, while also letting these smaller bands have the option to promote themselves. They have created merch for bands like ‘Guttural Slug’ and ‘Devourment’, while also showcasing smaller local bands by the likes of ‘Coprocephalic Mutation’ and ‘357 Homicide’.

‘Unusual Horror’ have been at the forefront of providing good quality pieces with brutal designs that have satisfied the masses of slam and death metal fans world wide, but their efforts to preserve and support the community don’t end with merchandise creation and distribution.
‘Rancid Offal Promotions’ was set up in 2022 by a member in the scene, as a means to get these underground slam, death metal and grindcore bands on stage and touring; there was a knowledge there that there was a huge fan base, who simply didn’t have the opportunity to see these bands live.

‘Unusual Horror’ began to collaborate with the original team of RxOx, in the way of merchandising and advertising and soon was adopted under the brand after the success of their first event. Thanks to RxOx and the collaboration with ‘Unusual Horror’, underground metal has a home for live performance. Starting with their first ever festival ‘Offal Fest’ in March 2023, the event showcased bands like ‘Crepitation’ and ‘Twitch of the Death Nerve’, while also bringing over ‘Guttural Slug’ to perform ‘Megalodon’ in full.

This was a huge moment for the scene, as this was ‘Guttural Slug’s’ debut live show, with them also playing one of the most influential albums in the scene. This event was not some local affair, patrons from overseas came from the likes of America and Canada just to check out the first ever ‘Offal Fest’. Since its creation RxOx has been planning and creating more events for the community to feast their eyes on. They have many upcoming events, like ‘Goremageddon’ and ‘Cannibalising the UK’, showcasing bands like ‘Torsofuck’ and the reunion of ‘Pivorapist’. RxOx are now the heart of the community and are bringing these brutal lineups to the masses, and their reign of terror will not end, as the next ‘Offal Fest’ is looming over the horizon.

In short, ‘Unusual Horror’ is a home for those who have been ostracised because of their interests in extreme horror and music. Their space and apparel are for those who stray between the lines of brutality and extremity, who don’t wish to align with societal norms. Whether you are an extreme horror or music fan looking to showcase your favourite niche band or film, or an alternative person looking for something just a bit more heavy to wear out and about, ‘Unusual Horror’ has it all for you. This is only the beginning for them, not just merchandise wise, but also in the sense of live music and film distribution.

When you buy your first piece from this incredible small brand, you will not just be holding a piece of merchandise, you will now be a part of an ever-growing community of fans who walk to their own beat. Make sure to keep an eye on both ‘Unusual Horror’ and ‘Rancid Offal Promotions’, as you are in for a treat and don’t want to miss out on what’s coming.

Buy online at https://store.unusualhorror.com/

Instagram instagram.com/unusualhorrorstore

Facebook facebook.com/unusualhorrorstore

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Reviews

Talk To Me (2023) – Review

(HeyUGuys, 2023)

Clever and socially provocative, Talk to Me is the horror breakout of not only the summer but the year. It centres around grief stricken teenager Mia (Sophie Wilde) who, along with a group of high school friends, experiments with an embalmed hand that possesses the special ability to connect with the dead and allows users to grant spirits permission to enter their bodies.

This innovative picture comes from the minds of Australian filmmakers Danny and Michael Philippou known primarily for their pioneering Youtube content on their channel RackaRacka. Talk to Me premiered at Sundance Film Festival and was rightfully an instant hit with audiences and film companies alike; the movie was picked up by infamous production and distribution company A24. Not only does Talk to Me provide a haunting yet beautiful viewing experience, it dives into the importance of identity and tackles the idea of how a horror movie would play out in the modern, digital age.

The film’s directors have spoken about how Talk to Me explores the theme of connection and how Mia, shrouded in grief from the recent loss of her mother, is yearning for a connection to anyone or anything that will make her feel something (Fandango, 2023). Though what stood out to me the most was Mia’s connection to herself; her sense of identity. As aforementioned, Mia is struggling to cope with the passing of her mother and the consequential grief that has begun to consume her. As a result we realise that a part of Mia has died along with her mother, leaving a gaping hole in her sense of self that she is desperate to fill. Enter the embalmed hand which allows one’s body and soul to be consumed by a relentless cycle of spirits.

This addictive activity works on two levels to fill the void left by Mia’s mother. Firstly, the euphoric feeling of being possessed functions like a drug, providing her with temporary relief from the hopelessness and loss that currently defines her. Secondly, the act of allowing a spirit to physically force itself inside her shows Mia’s desperation to find an identity again, even if it is not her own. Talk to Me follows Mia on her distorted and somewhat futile journey to find herself again and warns that altering your reality – using drugs or possession – cannot change the circumstances under which your identity was broken in the first place.

(ScreenRant, 2023)

Elaborating on the subject of reality, Talk to Me further examines a world in which we are perceived and scrutinised through a digital eye. We are introduced to the hand via a snapchat story in which a girl is clearly suffering at the hands of whichever spirit is coursing through her. When the camera draws back we see her distress illuminated by the light of several phone cameras, eager to document her torment. Furthermore at all
the parties hosted by Joss (Chris Alosio) and Hayley (Zoe Terakes) – the current owners of the hand – every possession is filmed and made public.

This highlights the significance social media has on an individual’s reputation as, a humiliating experience with the hand would obviously bring with it an embarrassing reputation, later exhibited when Daniel (Otis Dhanji) has a turn with the hand. The film encourages viewers to
realise the importance society places on a social media presence and a digital reputation; this generation is so immunised to the pain and suffering of others that they will happily record and publicise it if it promises a positive online reaction for themselves. It is only when Mia requests they use the hand outside the presence of phones and social media that the focus shifts from creating thrills and a viral video to Mia’s dependency on possession in order to feel whole again.

(BlackGirlNerds, 2023)

Talk to Me not only blurs the lines between the real world and the digital one but as the story develops we see Mia’s reality and the spirit world begin to intertwine. In between Mia’s innumerable possessions she begins to encounter spirits outside the use of the hand. Specifically she starts to see her mother who makes her question what is right and wrong and encourages her to inch further away from her own sanity.

Mia is presented with a morally impossible decision in order to save her friend with the manipulative spirit of her mother looming over her shoulder, trying to force her decision. The climax of Talk to Me is beautifully twisted as it portrays a loving mother-daughter relationship ripped apart by death and warped by grief. Here the Philippou brothers stunningly capture the fragility of the human mind and how the death of a loved one can cause our tether to reality to unravel.


Talk to Me exhibits all the shock and exhilaration ever present in Danny and Michael Philippou’s work and presents a unique ability to portray dark, mature and malevolent themes in a heartfelt and delicate way. The film emphasises a modern society’s dependence on a sense of identity established through our connections to one another and governed by how we present ourselves online.

Talk to Me sheds light on the fact that we are all one emotionally wrenching experience away from losing our grip on reality and severing all ties from our own sense of self.

Hope Lelliott-Stevens

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Dead Northern Festival News and Reviews News

Dead Northern Horror & Fantasy Film Festival: A festival to die for… Is back this September

CELEBRATE THE BEST OF INDIE HORROR ON THE BIG SCREEN!

  • Dead Northern Film Festival returns for a fourth year with a three-day horror and fantasy film festival in the heart of the UK’s spookiest city, York.
  • The festival will be held from Friday 29 September to Sunday 1 October 2023
  • The programme will feature a 50th anniversary screening of ‘The Wicker Man’, new short and feature films, live events, Q&As with filmmakers and much more!

Following last years success, which saw over 500 admissions, celebrating the best of the indie horror film genre, the Dead Northern Film Festival returns with a thrill-packed weekend.

Horror and fantasy fans are invited to the York’s City Screen Picturehouse to spend the weekend celebrating frightfully good flicks old and new.

The line-up includes a mixture of specially curated new feature and short films from the best talent in the genre, locally and internationally, as well as a celebration of some classic horrors reaching milestone anniversaries.

Folk horror will take centre stage over the weekend with 50th anniversary screening of Robin Hardy’s ‘The Wicker Man’ accompanied by a panel of special guests and a carefully selected group of folk horror shorts.

Beyond the film – Expect interviews with industry creatives

There will be something for all genre fans from creepy thrillers to blood-soaked slashers.

Joshua Lawson Co-founder and director of festival programming says of the line-up: “We’re really excited to welcome Dead Northerner’s back to our most ambitious festival yet.”

“I can honestly say this is going to be strongest line up we have had in our 4 years growing the festival, with an eclectic mix of extra fringe events and activities”.

Festival goers enjoying the City Screen in between screenings

There will also be other surprises for festival attendees including special introductions, guest speakers and, of course, the live events and awards party that has become a fan favourite. 

Dead Northern Festival award winners will join past alumni such as Rob Savage (Host) who won film of the year in 2020, and Erik Bloomquist (Ten Minutes to Midnight). With the most anticipated award “Best Death” won by Liam Regan’s Troma hit in 2022 (Eating Miss Campbell) sponsored by Dead Happy.

Liam Regan accepting the award for ‘Best Death’ in 2023

Brand new to this year is the ‘Bizarre Bazaar’ a unique marketplace dungeon of brilliantly unusual vendors dedicated to fans of the horror and fantasy genre.

VIP Weekend Passes for the festival are now on sale with day passes and individual screening tickets set to be available in August when the full festival schedule is released. 

You can follow Dead Northern Film Festival on Facebook, Twitter and Instagram. 

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News

Press release – SUCKER creators first feature film wraps Principal Photography!

kill your lover movie poster

PRINCIPAL PHOTOGRAPHY WRAPS ON TOXIC RELATIONSHIP HORROR “KILL YOUR LOVER” WITH SPECIAL EFFECTS MAKE UP ARTIST FROM “WINNIE-THE-POOH: BLOOD AND HONEY”

Married co-directing team Switchblade Cinema, Alix Austin and Keir Siewert (AK), have just wrapped on their debut horror feature KILL YOUR LOVER: A psychological drama with a punk edge and skin-crawling body horror, where ‘Blue Valentine’ meets ‘The Fly’.
Known for their stylized cinematography and love of practical make-up effects, Austin and Siewert have joined forces with Special Effects and Prosthetics Artist Rebecca Wheeler from the much-discussed upcoming WINNIE-THE-POOH horror (Other credits include: AQUAMAN 2, BOILING POINT).

Still from ‘Do Not Resuscitate’


Having previously worked with Wheeler on horror short DO NOT RESUSCITATE (linked below), AK are looking to take an even bigger and bolder swing with KILL YOUR LOVER – “Else what would be the point?”, says Austin, “we know there’s a lot of competing content out there and we know we need to cut through the white noise. With a machete if need be!”


With several ‘Best Horror’ and ‘Best FX’ awards under their belt, Switchblade Cinema are tackling the full breadth of the toxic relationship in KILL YOUR LOVER: the good, the bad and the downright ugly.
“When Dakota tries to break off her toxic relationship with Axel, it starts transforming him into a monstrous creature with increased aggression, a touch that melts skin and worst of all, he’s contagious…” Above photo still from ‘Do Not Resuscitate’


The film will feature tense horror sequences, heartbreaking interpersonal drama and creative kills alike. KILL YOUR LOVER is the epitome of the phrase ‘death by a thousand cuts’.


To learn more about Switchblade Cinema and KILL YOUR LOVER, visit: www.switchblade-cinema.com/kill-your-lover

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Curiosity Corner Dead Northern Festival News and Reviews

Dead Northern 2022 in Pictures

We had an absolute blast at Dead Northern Horror Film Festival 2022! Take a look at some of the highlights from our award day 24.09.22.

Our beloved spooky home at City Screen Picturehouse, York.

Horror fans making some deathwishes with our sponsor DeadHappy – You can still use code ‘Horror’ to get your 2 months free life insurance.

Our 2022 festival T-shirt from Dead Comfy Clothing

Film makers and film fans grabbing a refreshment in between screenings.

Our newest sponsor Talk Talk giving out all the free sweets for horror fans
Cast and crew of ‘The Stranger’ grabbing a photo before the world premiere
Deadites heading into our big screen …
Huge line up for the weekend!
Our amazing Skeleton Crew at the Picture house
Dead Northern 2021 award winners and alumni Tony Hipwell and David Yorke attending their second Dead Northen with their new short films
One of many Q&As over the weekend
Stars of The Stranger posing by our 2022 banners
Director of Eating Miss Campbell Liam Regan striking a pose before the final Saturday screening and an energetic Q&A
Star of Searching for Veslemøy posing with Dead Northern mascot ‘Walter’
Energetic Q&A with cast and crew of ‘Eating Miss Campbell’
Award ceremony and after party kicking off with Co-founders Josh and Gareth
Huge applause for the first award ‘Best local film’ sponsored by Talk Talk
Director of The Stranger picking up the award for ‘Best Local Film’
Director of ‘The Lies of our Confines’ Leon Oldstrong picking up the award for ‘Best Feature’
Director Louisa Bablin picking up the award for ‘Best Student Film’ for ‘No Place Like Home’
Alix Austin and Kier Siewart picking up the award for ‘Best Short Film’ with the brilliant ‘Sucker’
Founder Josh and sponsors DeadHappy presenting the brand new award for ‘Best Death’
Winners of ‘Best Death’ Liam Regan and star of eating Miss Campbell Lyndsey Craine
Live music closing out the second day of the fest, until about 3am from memory….

Looking for more top horror lists and reviews? Check out our blog here..

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Reviews

Scream (2022) – Review

scream5review

Dead Northern reviews the greatly anticipated fifth instalment in the slasher film series below.

There are SPOILERS AHEAD, you have been warned!


One fateful night Tara Carpenter (Jenny Ortega) is all alone at home texting her friend Amber (Mikey Madison), convincing her to come over. But all of a sudden the landline starts ringing, at first the slightly off-kilter banterfull conversation is innocent, that is until we hear that iconic low, scratchy octave ask Tara “would you like to play a game?”. And just like that Scream is BACK! 

In 2019 when filmmaking duo Matt Bettinelli-Olpin and Tyler Gillett announced that they would be taking the bull by the horns and brazenly tackling the fifth instalment in the Scream franchise, many fans were beyond thrilled that Ghostface would be continuing their rampage. The man, the myth, the legend Wes Craven who created the franchise sadly passed away in 2015, leaving behind an unbeatable legacy. Could Scream even continue without the helm of Craven? Well, let’s find out… 

After twenty-five years since a string of savage murders erupted in the small town of Woodsboro, a new villain takes on the identity of Ghostface, leaving a bloody trail amongst the unlucky residents. Scream’s next generation serves a purpose. They are all connected to previous characters, including Woodsboro’s own movie expert Randy Meeks (Jamie Kennedy), Sheriff Judie Hicks (Marley Shelton), and everyone’s favourite partners in crime, Stu Macher (Matthew Lillard) and Billy Loomis (Skeet Ulrich). 

The original Scream jostled with the postmodern boom that 1990s films thrived in. It’s this combination of self-referential treatment mingling with meta-cinema that facilitated the quick ironic humour that the franchise is known for. Across the previous films, every joke about sequels, franchises, fandoms, actors, and the Hollywood cycle has been done. Nothing else could possibly be added. Here’s where writers Guy Busick and James Vanderbilt regenerated the already embellished one-liners. Many of the filler characters have extensive movie knowledge, allowing for hysterical tirades about how devoted horror fans don’t want increasingly popular “requels” (reboot-sequel) to be a stand alone story with no continuing context- à la Black Christmas (2019); alternatively, franchise-enthusiasts want a connection to an original legacy. Just as Amber states “you can’t have a bonafide Halloween without Jamie Lee”. 

The film exchanges with the audience directly, transfusing the fourth wall with reality. These rants about movie rules are precisely aimed at the viewer, making quips about how obsessive diehard fans are to please. Almost digging at those who’d immediately shun this new entry before even giving it a chance. Of course, many chuckles were had at the numerous easter eggs and mention of the fictional in-house ‘Stab’ movies, but the film’s strength doesn’t derive from the humour which will eventually fade after a couple of watches, instead the cardinal prizewinner is the unyielding brutality of the kills. Throughout all five films, this one takes the lead as the most shockingly savage and graphic film to date. Casey Becker (Drew Barrymore) has one of the franchise’s gnarliest deaths. Whether or not she can continue to hold the top spot is now another issue. Ghostface slices and dices their way through bodies with ease, not holding a single ounce of remorse, nor does the camera shy away from the direct insertion of their gleaming hunting knife. 

As delightful as it was to see Sidney (Neve Campbell), Dewey (David Arquette), and Gale (Courteney Cox) step back into their stomping grounds, the film’s main protagonist Sam who was fantastically portrayed by the very talented Melissa Barrera was indeed a breath of fresh air. Her natural ability to be both vulnerable and fiercely strong allows her to stand beside the genre’s greatest final girls with ease. Joining Barrera is her on-screen boyfriend Richie Kirsch, played by Jack Quaid, who is the receiver of the film’s best jokes by far. Lurking alongside the stellar performances is the factor of unexpectedness. Not a single soul is safe. Scream isn’t the first and last franchise that sheds characters as and when needed, however Bettinelli-Olpin and Gillet truly don’t have a whiff of compassion at all for who gets to survive and who gets to die. The ever looming threat of death loiters over every character’s head, legacy or not…

Much praise has seen the light of day in regards to the film. Yet, there does seem to be a general critique floating around about the lack of scares. Horror is subjective, there’s no denying that. What works for one person will almost never work for the next, but within the last couple of decades, horror has evolved and changed. As controversial as it is, horror cinema does not have to make your blood run cold or have you quaking in your boots to be considered ‘good’ anymore. Scream raises the threat level and creates admirable tension, despite the fact that it didn’t have me terrified to turn the lights off. Although the 1996 original did give me the ‘heebie jeebies’, it wasn’t intended to be blood-curdling terrifying.

This instalment playfully mocks pestering film bro’s who mention the term that makes my eyes roll- “elevated horror’. When asked what her favourite scary movie is, Casey replies with John Carpenter’s infamous Halloween (1978), whereas Tara answers with The Babadook (2014), a fantastic film in its own right. But what comes next is Tara’s betrayal of the genre. She disavows typical horror as pure schlock and guts. Almost directly commenting on how elevated horrors wouldn’t stoop to the level that slashers do, opting instead for emotionally developed, politically enamoured narratives. 

It is with this boldness and knowingly critical lens that Bettinelli-Olpin and Gillett shine. They know how to rinse inside genre jokes and make fun of their own attempt of recycling an already perfect classic. The Scream franchise has always managed to tiptoe between not taking itself too seriously, whilst still not becoming a total parody. Scream (22) captures this essence with ease, making it a solid and welcomed entry into horror’s most unique franchise.

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Curiosity Corner

Dead Serious Chat – From Our Friends At DeadHappy

Ever wondered what you’d really like to happen when you die? There’s a deathwish for that…

If there’s one lesson to be learned from watching thousands of horror films is that those characters could really do with some life insurance. Flesh eating zombies, vengeful birds, xenomorphs bursting out of chests… they don’t have it easy.

And although we are very unlikely to die in one of those elaborate ways, there are even worse horrors to be had… like being buried in a scratchy sweater or Barbie Girl blasting out of the speakers as your final goodbye.

Life: 100% mortality rate

… Unless you’re known as ‘She-Who-Must-Be-Obeyed’ (no, your wife is most likely NOT immortal but good question!) or have ways of brewing an elixir of immortality, chances are you’re not going to live forever. Yet, despite this over 80% of people have nothing written down about their deathwishes. It’s sad to think four in every five ghosts will leave their own
funerals in disgust. We’re not prepared to sit around and let this happen.

Happy ghosts all around

The DeadHappy deathwish option allows you to express exactly what you want to happen when you die and weave those wishes into your life insurance policy – whether it’s sending your mates on a paranormal expedition, throwing a Halloween themed wake, or leaving
some money to pay off that mortgage. That way you family knows exactly what to do with your payout and you move into the afterlife as a happy ghost.


And just imagine how many vengeful ghost hauntings could be avoided if we all left things exactly as we want to!

Get me covered

*Zombies, vampires and other members of the not alive, ever living club need not apply.

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News

This week in horror – News round up 13.12.20

dead northern news

This weeks horror news round up comes from Grace at Film Overload!

Halloween Kills officially rated R, with Michael Myers promising a bloody Halloween

After the beloved Halloween franchise was rebooted in 2018, David Gordon Green was immediately signed to make another two films to continue Michael Myers’ sick game of fulfilment. And it seems that the upcoming Halloween Kills will bring us one of the most graphic entries throughout the entire series. The film has officially been rated R by the Motion Picture Association, which will not be suitable for anyone under the age of 18 due to violent images and grisly content.

The highly anticipated sequel will continue from where its predecessor left, with us following Laurie Strode (Jamie Lee Curtis) as she battles the unstoppable Myers alongside Haddonfield residents in a vengeful mob style hunt. Also making an appearance are the characters of Tommy Doyle and Lindsay Wallace (Anthony Michael Hall and Kyle Richards) who featured heavily in the original 1978 as the children who Laurie babysat on the night where it all started.

Hocus Pocus 2 confirmed for a Disney+ release

Fans of the classic Halloween favorite rejoice as the long awaited Hocus Pocus 2 is finally announced. Since 1993 the Sanderson sisters have become cult classic characters, with the film garnering quite the successful reputation. Adam Shankman (Rock of Ages and Hairspray) is set to direct, alongside Shankman is Jen D’Angelo (Workaholics) who will be responsible for writing the sequel. Speaking of sequels, whether or not this will be a direct sequel with the story from the original being directly continued or not is yet to be revealed. But what we do know is that Bette Midler, Sarah Jessica Parker and Kathy Najimy will reunite once again to wreak havoc upon the town of Salem.

Shudder brings the festivity to horror, with both Joe Bob Briggs and Creepshow Christmas special

Shudder embraces the Christmas season with both ‘A Creepshow Holiday Special’ and ‘Joe Bob Saves Christmas’ premiering on Shudder this December. Creepshow fans were given an animated special for Halloween, which generated mixed responses, but with restrictions easing the upcoming holiday special will return back to live-action filmmaking.

In a trailer released earlier this week we get a glimpse of all the chaos that ensues, with the plot revolving around one long segment ‘Shapeshifters Anonymous’. The story follows a troubled man seeking answers over his unusual situation… Greg Nicotero’s Creepshow Holiday Special premieres on Shudder on December 18th.

Festive horror is a difficult subject to tackle, so why not have the legendary Bob Briggs go through the best and the worst of the bunch in The Last Drive In Christmas special ‘Joe Bob Saves Christmas’. Little has been released about what films will be discussed, but firm contenders could be Black Christmas (Bob Clark, 1974), Silent Night, Deadly Night (Charles Sellier, 1984), and Christmas Evil (Lewis Jackson, 1980). The special premieres on Shudder on December 11th.

Neil Marshall’s new periodic horror ‘The Reckoning‘ set for a February 2021 release

Neil Marshall shook the horror genre with his incredibly influential film The Descent (2005), and his natural talent for creating claustrophobic environments plagued by evil forces is continued with his latest film The Reckoning which is set in early 17th century Britain; a time where both the plague and witch hunts were rife. Suitably the film follows a young woman as she is accused of being a witch after her husband’s passing.

Marshall carefully evokes terror through utilising the natural environment’s dark aesthetic to exaggerate the horror and provoke a sense of atmospheric inescapable dread. If the early rave reviews from Fantasia International Film Festival 2020 are anything to go by audiences are in for a treat for its release both theatrically and via VOD in early February 2021.

This weeks article comes via Grace from Film Overload, you can check out more of her work here.

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News

Dead Northern – Covid 19 update

dead northern

UPDATE: TICKETS ARE NOW ON SALE, FOLLOWING ADJUSTED SCHEDULE TIMINGS

We have decided to pause ticket sales for this years Film Festival for the next few days to monitor how any of the further COVID restrictions will impact the festival.

There is likely to be amendments to this years schedule and so we will be contacting ticket holders to update them as the situation develops.

Look out on our website and social media later in the week for updates.

Thank you all for your support, and stay spooky

Josh, Gareth and Rick

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News

Dead Northern is back this Halloween: 2020 Festival schedule & tickets coming soon…

Horror Prom - Time for the Prom Dance
Time for the Prom Dance

Dead Northern presents Harrogate’s only horror and fantasy film festival coming this Halloween.

Following the great success of last years event taking place in the atmospheric West Park Church, the team at Dead Northern are putting on a social-distanced horror and fantasy film festival in the haunted Victorian ball room of the Crown Hotel this Halloween.

The week long event will kick off with a series of mini fringe events at various venues throughout the town in the build up to the horror film festival.

Highlights include Harrogate’s only ghost walk which is exclusive to the festival, a rare opportunity to view a selection of independent short and feature films as chosen by the Dead Northern film committee, plus classic horror film showings such as The Poltergeist all in the haunted Crown hotel.

A Halloween celebration not to be missed on Saturday night: celebrate From Dusk till Dawn in true vampire biker style at a themed evening at the Old Empire Theatre (now Cardamom Black restaurant), including a live film showing of the Tarantino cult classic From Dusk till Dawn with dinner and live entertainment.

The entire film festival will be compliant with the government guidelines surrounding COVID-19 and pre booking is essential.

Tickets will be available to purchase very soon.

We are offering priority booking to our mailing list subscribers, so make sure you are signed up to be amongst the first to get your hands on tickets.

Keep an eye out on our facebook page, Instagram and Dead Northern website for further announcements.