Tony Todd’s extensive career traverses across film, television and theatre, with the actor surpassing over 100 credits. His remarkable decades-long career is a testament to his captivating, and at times chilling talents. His dedication for all things performance has crafted a devoted fan base who have followed his many powerhouse accounts in some of cinema’s most iconic roles. 

It was during his university days studying theatre that Todd honed in on his overt stage presence, learning to immerse oneself in the role and become synonymous with the script – a facet that would long follow Todd throughout dozens of performances. It was in 1986 that Todd would get his ‘big break’ in Oliver Stone’s Platoon, the Academy Award winning film that saw Todd play the emotionally grounded Sergeant Warren. Shortly after, Todd’s on-screen presence began to thrive, picking up countless, yet still meaningful and powerful roles that would cement him as the icon that he remains today despite his passing on November 6th 2024. 

In commemoration of who is unarguably one of horror’s greatest icons, Dead Northern presents a retrospective of Tony Todd’s career. 

Night of the Living Dead (1990) 

George A. Romero’s Night of the Living Dead (1968) is one of the most pinnacle horror films to grace the screen, which consequently means that initially the 1990 remake was received with quite the touch of contention. Despite the mixed reaction, the film has blossomed into a fan favourite, with the similarities of the original and remake being continually referred to. The textual difference between the two is minimal with the script and plot points essentially being a mirror image. Another similarity is the emotional depth and commentary within the film, with both features being reminiscent of societal inequities and systemic qualities. Such an emboldened film with all of these crucial elements needs a strong lead, which in 1968 was headed by the character of Ben (Duane Jones), who proved exceptional as the pragmatic source of compassionate authority of the story. 

In other words, Todd had ‘big boots to fill’. Todd’s revisioning of the prominent ‘Ben’, infused that quintessential warmness and groundedness that Jones so brilliantly portrayed, but Todd added that theatrical flare of emotional intensity that spoke to his gravitas as a performer. He was a lead character in every sense. Todd’s ‘Ben’ dominated the screen, steering the narrative with his outwardly expressive acting that cinematically took over Todd; as if the two people, one fictitious and one real, fused to be one. Contemporaneous opinions towards Night of the Living Dead often cite Todd’s enigmatic spark that makes for an objectively entertaining watch. 

Candyman (1992) 

“Candyman, Candyman, Candyman, Candyman…” Todd’s biggest role is unarguably the titular, bee-swarming, dominating Candyman, the vengeful entity who viciously murders anyone who dares summon him by saying his name five times in front of a mirror. 

The premise of Candyman first appeared in notorious horror writer Clive Barker’s anthology series ‘Books of Blood’, in the entry ‘The Forbidden’ (1985). The story was originally set in Barker’s native Liverpool, UK. and emulating the British class system as a horror vessel, however, after the rights were obtained director and writer Bernard Rose began to recognise similarities between the urban areas of Liverpool and housing projects in Chicago, Illinois. With the new setting came new opportunities to expand the story and reflect the area more appropriately, just as Barker’s original narrative mediated on the specificities within Liverpool at the time. The Americanisation of the story saw the real housing project ‘Cabrini-Green’ become the primary setting for the film to play out. The estate was a largely impoverished area that was essentially abandoned of care by the state, leading to high crime rates. 

Through this modification, the lore behind Candyman changed. Candyman became the ghost of the 19th century born Daniel Robitaille, an African-American painter who was cruelly tortured to death by an angry lynch mob who cut off his hand with a rusted blade before covering him in honey and setting a swarm of bees on him. This death trap was the consequence of an interracial affair. Tragedy, injustice and ill-will anchors this story, consequently, whoever played Candyman needed an intrinsic aura of intensity, the ability to play a tarnished soul, one that is integral in its mission to inflict the most formidable of frights, whilst still maintaining a sincerity that is both hard and rare to achieve. 

The studio originally sought after Eddie Murphy (which is retrospectively baffling after Todd’s signature spin on the role), yet they were unable to afford the actor’s salary. Whilst the studio hunted for blockbuster stars, Rose had another actor in mind who he saw in the TV movie ‘The Ivory Hunters’(1990); in fact the filmmaker was so set on this performer that he did not want to see anyone else audition. To no surprises, the person in question was none other than the soon-to-be Candyman himself – Tony Todd. 

From day one Todd was dedicated to the role, he refused to make this ominous antagonist just another ‘boogeyman’, not another monstrous brick in the movie wall. Alternatively, Todd digested the heartfeltness behind the villainy and the stark, almightyness that came from Candyman’s reign of terror. Often, Todd would refer to his character as being tonally similar to ‘The Phantom’ from the famed and similarly artful, ‘The Phantom of the Opera’ musical – Todd really was ever the theatre fanatic! 

Todd continued to play Candyman for 29 years, from the very first screen adaption all the way through to its sequel, ‘Candyman 2: Farewell to the Flesh’ (1995), the third and trilogy-making entry ‘Candyman 3: Day of the Dead’ (1999), followed by the franchises latest feature ‘Candyman’ (2021). It is quite the rarity for the same actor to play the same major movie villain for every franchise feature, but it is definitely not surprising, particularly considering that Todd possesses the unique capabilities of capturing a melancholic ferocity with a sense of genuinity. Not to mention Todd’s notorious physical stature, with his 6’5” height and broadness immediately dominating the frame with an uneasy sense of authority, alongside his deep voice that makes that classic Candyman catchline “Be My Victim” sound so haunting and bone chilling. 

Final Destination (2000)

After the release of Candyman, Todd was adorned as a horror icon, amassing cameos in the likes of genre essentials ‘The Crow’ (1994) and ‘Wishmaster’ (1997), followed by a role in the first entry of the now major movie franchise ‘Final Destination’. Todd portrays William Bludworth, a mortician who can be described as one of the film’s critical players in the grand and complex lore behind the omniscient character of ‘Death’ within the films. Todd’s dramatic cadance and resonance transforms his role from being one of a simple ‘exposition teller’ to an amalgamated blend of a ‘voice of god’ being, a narrator and a cautionary figure, an oracle even. 

Although his physical screen time is not excessive, Todd’s performance was commended by the films fandom, leading to him returning to the role for ‘Final Destination 2’ (2003) and ‘Final Destination 5’ (2011). Although he does not appear as Bludworth in the fourth entry, he does make a sneaky cameo in ‘Final Destination 3’ (2006) as the voice of an animatronic devil for the film’s rollercoaster opening scene. As of recent years, Todd reprised his role of the ‘death teller’ in the upcoming and long awaited ‘Final Destination: Bloodlines’ (2025). Bloodlines is said to have a different approach to the typical setup of the previous instalments, with the film being not necessarily a sequel, nor a prequel, but a slight reboot. 

Todd’s character has been part of many Final Destination conspiracies, which include Bludworth being the evil mastermind behind the in-film ‘Death’s Design’ (which determines the entire plot device of one being unable to escape their fate). Lately fans have been speculating this theory even more in anticipation of ‘Bloodlines’ release, both due to it being revealed that the film will delve into Bludworth’s backstory, and due to the connection between Bludworth’s surname and the film’s title. Bloodlines? Bludworth? It’s a far fetched claim, but in the world of Final Destination, anything is possible. 

Hatchet (2006) 

Besides Final Destination, Todd made many appearances in a string of horror movies, including but not limited to: Murder Set Pieces (2004), Minotour (2006), Shadow Dead Riot (2006), Shadow Puppets (2007), The Eden Formula (2006), Dark Reel (2008), Bryan Loves You (2008), Nite Tales: The Movie (2008), Penance (2009) and The Graves (2009), and lastly, Adam Green’s, Hatchet (2006). 

Hatchet saw Todd play the swamp tour guide on the Bayou, Reverend Zombie, which Todd played with a brilliantly sardonic tone. His take on the tour guide was brief, but effective enough to return as one of the lead character’s in its sequel Hatchet II (2010). The sequel sees Todd in a larger role as Rev. Zombie. This time his actions are akin to that of a domino effect that sets the entire plot in motion. 

Todd’s capabilities as an actor has seen him lead diverse career that stands tall to this day, with his talents resembling that of a caldron mixing together the emotional sensibility of a stage actor who can dish out every line with such gravity, whilst also possessing that timeless physical dominance needed to play his in-depth characters. Despite Todd’s recent passing, it can be assured that his time on-screen will long live on. 

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