Picture this: an ordinary day is thrown into pandemonium as gargantuan, near-indestructible creatures descend upon you, waiting to pounce at even the mere whisper of the slightest sound. This is the premise for the previous instalments within The Quiet Place franchise. Whilst this shuddersome concept is by far effective, the novelty of the series’ principles is not far from wearing thin; what else could possibly be thrown into the mix to prolong the film’s lore without becoming tedious? How many times can the same battle come forth? Director Michael Sarnoski might have the answer for that! 

A Quiet Place: Day One is a spin-off within the soon-to-be trilogy within the franchise, with the film focusing on a new set of characters in a setting we have yet to encounter. The film takes us on the terminally ill Sam’s (Lupita Nyong’o) journey across a wrecked New York City in the bid to survive. Joining Sam is Eric (Joseph Quinn), a British law student, and Sam’s cat, Frodo (panic aside, he survives the whole ordeal). 

As the title suggests, the film’s action begins on ‘day one’ of the eventual apocalypse, showcasing the city landscape in a ruckus as humanity grapples with the worst threat mankind has ever seen, whilst simultaneously having to remain as silent as possible to avoid triggering one of these audio-activated beasts. Consequently, the film wrestles with copious intense scenes showcasing Sam and Eric narrowly attempting to avoid making a peep. One brilliantly tense scene calls to mind where the survivors must dislodge a stuck briefcase from a revolving door without creating an almighty crash. These moments of pure muted silence, coupled with the threat of looming and dooming noise, have viewers sitting on the edge of their seats. 

Aside from the narrative structures, Nyong’o and Quinn’s standout performances make Day One’s appeal stand out. They create a powerful duo worthy of their own spin-off cinematic series when shown together. Nyong’o is no stranger to the horror genre with her roles in the Aussie zombie flick Little Monsters (2019) and Jordan Peele’s doppelganger nightmare Us (2019), both laying the grounds for her epic delivery of one of A Quiet Place’s most depthful characters yet. Nyong’o’s performance of Sam is praise-worthy, with her ability to navigate such fragility and horror simultaneously creating a character that is engaging and sensitive but strong enough for the audience to root for the entire time. Adjacent to Nyong’o’s leading portrayal is Quinn’s equally as emotively rich performance of Eric.

Similar to his co-star, Quinn’s talents in the likes of Overlord (2018) and the iconic role of Eddie in season 4 of the hit show Stranger Things (2016-) all set the stage for his appearance of the anxious law student Eric. Throughout the film, the pair of survivors form a unique bond that is empathetically dense as they band together to endure the end of the world, stirring that familiar sense of the emotional impact that has become synonymous with the Quiet Place world without becoming replicative of soap opera dramatics. 

All entries of A Quiet Place have faired well, particularly due to this mention of poignant emotional resonance. Whilst this expressiveness is a key value across the films, particularly Day One, many still value the films ability to raise the stakes and create moments of pure terror – think of the opening scene in the first entry or to be repetitive, the equally as intense opening scene in the sequel. As a horror contender, Day One is bountiful in its scenes of nail-bitingly tense creature sequences. 

Day One is a must-see, well-executed advancement into the mythology of the Quiet Place domain. The film expands our understanding of these creatures while still leaving that sense of disturbed wonderment that makes the sound-sensitive beasts so formidable.

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