Review – Hammer: Heroes, Legends and Monsters (2024)
Hammer Film Productions has long been a concrete part of British cinematic history, defining the horror genre and cementing itself as a key component in
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Hammer Film Productions has long been a concrete part of British cinematic history, defining the horror genre and cementing itself as a key component in
(The Reveal, 2024) Beetlejuice first graced our screens in 1988 establishing a whacky and absurd world which introduced many of us to director Tim Burton’s
Our Surprise Sunday feature is revealed below! To be able to hold Freddy Krueger’s bladed glove, to sit and admire the luminescent glow of a
Safe (Directed by David Yorke) Shattering all predictions is David Yorke’s Safe, a microshort that stuns with its humour and dark wit as we follow
Les Bêtes (Directed by Michael Granberry) Inspired by the works of Ladislas Starevich, the creator of the first puppet-animated film The Beautiful Leukanida (1912), is
Collection Only (Directed by Alun Rhys Morgan) Estranged friends Nye (Steffan Evans) and Daf (Tomos Gwynfryn) go to collect a free armchair from a seemingly
Tasty Tongue (Directed by Pearl Zheng) A-Zhe has a bitter soul (Shang-Ting Chung), continuously cursing others, but when he encounters Mia (Wen-Ling Cheng), a beautiful
The housebound Francine (Gracie LeClere) is gifted a case of matches by her controlling husband, Sebastian (James Viller), who owns various match manufacturer factories. However,
Released by HorrorWeb Productions is The Black Quarry, a wild and sinister exploration into the dark side. The black metal band “Drown the Priest” travels
Fear Cabin: The Last Weekend of Summer does not simply toy with expectations with a horror-cum-cabin fright fest. Instead, it completely dismantles and excitingly remixes
