Fear Cabin: The Last Weekend of Summer does not simply toy with expectations with a horror-cum-cabin fright fest. Instead, it completely dismantles and excitingly remixes
The Blair Witch Project opens with the infamous title card announcing the disappearances of three student filmmakers. What follows is the discovered footage of what
Written and directed by Michael Houston King is Lake Jesup, which brings back the rip-roaring, ultra-violent and brutal creature feature. This monstrous exploration chronicles the
Bursting with tales of losing control and challenging reality, all entwined with a hint of familial trauma and ladened with a haunting gothic aesthetic that
The Healing makes two things clear: be careful who you trust, and be careful of what you trust. This tense and unnerving descent into chaos
Drowning in sordid secrets and lies, hellbent on delivering devilish antics and driving tension to a delightfully unbearable peak is Kill Victoria. This thrilling rollercoaster
Scopophobia: the daunting fear of being watched. This anxiety-inducing sense of being eyeballed by someone or something is what filmmaker Aled Owen’s feature chronicles and
The Stickman’s Hollow resembles a multifaceted labyrinth, feeding its complex story bit by bit, acting like a serpentine. It is the slow feed of a
All This Time chronicles the infinite time loop that Grace (Emily Rose Holt) has found herself trapped in. Joined by an elusive vampire, Elias (Dan
Directing duo Alix Austin and Keir Siewert deliver a gnarly, grotesque, and emotionally raw feat of tainted love, where body horror and a cerebral narrativisation
